Mostrar mensagens com a etiqueta Japonismo. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Japonismo. Mostrar todas as mensagens
Himorogi II
Mircea Eliade, in Das Heilige und das Profane: Vom Wesen des Religiösen (1957)
Himorogi
«Há lugares sagrados, sabe? Mas isso são coisas que se escrevem nos contos e nos poemas e que não se dizem numa entrevista. É a casa da Granja que surge no poema "Casa branca em frente ao mar", no conto "A Casa" e n'A Menina do Mar. A Menina do Mar é inspirada numa história que a minha mãe me contava: nos rochedos morava uma menina muito pequena... Essa menina representava para mim a felicidade perfeita porque almoçava no mar, dormia no mar, vivia no mar...»
Sophia de Mello Breyner Andresen
Dasein
«Chinese historians have always spoken of Taoism as the "art of being in the world," for it deals with the present--ourselves. It is in us that God meets with Nature, and yesterday parts from to-morrow. The Present is the moving Infinity, the legitimate sphere of the Relative. Relativity seeks Adjustment; Adjustment is Art. The art of life lies in a constant readjustment to our surroundings. Taoism accepts the mundane as it is and, unlike the Confucians or the Buddhists, tries to find beauty in our world of woe and worry. The Sung allegory of the Three Vinegar Tasters explains admirably the trend of the three doctrines. Sakyamuni, Confucius, and Laotse once stood before a jar of vinegar--the emblem of life--and each dipped in his finger to taste the brew. The matter-of-fact Confucius found it sour, the Buddha called it bitter, and Laotse pronounced it sweet.»
Okakura Kakuzo, in The Book of Tea (1906)
«...Dasein itself -- and this means also its Being-in-the-world -- gets its ontological understanding of itself in the first instance from those entities which it itself is not but which it encounters 'within' its world, and from the Being which they possess.»
Martin Heidegger, in Sein und Zeit (1927)
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